SECTIONS:
SAN FRANCISCO
Section
What do you get when you bring string music teachers together?
Chamber Music!
Join our association of string teachers:
Wanted
New President and President-Elect!
According to the state bylaws, officer terms are only two years, meaning that we need more of our members to fill officer positions at some point.
We hope to find a new President and President-Elect who can help continue to guide our section towards being an active, connected and caring professional community. If you are interested in either position, please get in contact with us.
If you are interested or would like to nominate someone, please write to asta.sanfrancisco@gmail.com
Did you know that our section is the second largest in the State? As of September 2023, we have 214 members spread between Monterey and the Oregon border along the coast. This is quite a large geographical area, and it can be challenging to stay connected. We are working to distribute our activities both within the Bay Area and outside, and could use ambassadors in each area that head up those activities and stay connected with the Board. Do you live outside of the Bay Area? Would you like to represent your geographical area, or do you know of someone who would?
Our goal as a board is to use our human and financial resources to offer diverse activities that highlight teachers and students from our section. We are doing this with teacher symposiums online, a newsletter started up again in October 2023 that publishes section teachers’ articles, ASTACAP evaluations, and would like to branch out to CalASTA San Francisco Section Chamber Recitals. Many of these ideas are already in action, however more hands would make the work lighter. Would you like to donate your time?
Newsletter
At the moment we send out three newsletters a year in mid to late February, June, and October. Submissions are due the first day of those months. Please find our submission form links below
Submit a book and music review: Click
HERE
Submit an Article: Click
HERE
Place a Classified Ad: Click
HERE
Submit a Member announcement: Click
HERE
Irene Sharp Scholarship
Irene Sharp Scholarships 2024-25
Many congratulations to the two scholarship students chosen for the 2024-25 school year. Celso Salinas-Holz and Carlos García González will each receive twenty half-hour private lessons this year. Thank you to our generous donors for making this scholarship possible!
Do you know of a student who could benefit from the Irene Sharp Scholarship?
Recommend a student for the 2025-2026 scholarship. Please click HERE
Help a student leap over technical and musical hurdles and therefore be able to play freely instead of struggling with their instrument. Donate to the Irene Sharp Scholarship. Please click HERE
Solo Competition
SF Section Solo Competition
March 2025. More details to be announced. Any questions can be directed to
competition.asta.sanfrancisco@gmail.com
YouTube
Visit our YouTube channel:
https://www.youtube.com/@CalASTASanFrancisco
ASTACAP
Questions about ASTACAP? Last April, James Greening Valenzuela and Michele Walther generously took time out of their day to make a 45-minute informational video answering FAQs about the ASTACAP program. Check it out! We hope to see more ASTACAP evaluations popping up around our section over the next year.
"Fly on the Wall"
"Fly on the Wall" is an open studio program that connects mentor teachers with observing teachers. Observation is one of the best ways we can grow as educators, as we are able to step outside of the teacher role and watch what is happening with the student in response to the lesson. It can be beneficial at any point in our careers, bringing fresh energy to the teaching of a more seasoned educator or helping to inform the beginning teacher about real-life situations in the studio.
sign up here:
Would you like to volunteer? Volunteers are not always needed, but sometimes an extra set of hands helps. Please click
here
and fill out this form if you have a little extra time and energy to share:
Volunteer for CalASTA SF
Upcoming Teacher Symposiums Online
Reserve your spot here:
https://forms.gle/ewQWekgB2cQJBMBJ9
November
Marcia Sloane, Playing in Relationship
January 26th
11:00 am - 1:00 pm 2025
Andrew Luchansky, Essential Techniques for Right and Left hands, and for effective practicing
Do you have a suggestion for a Symposium you would like to see held? Fill out this form!
SAN FRANCISCO OFFICERS
Kathleen Balfe, cellist and California native, has been a member of the CalASTA San Francisco Section since the 1980s when she joined as a student. In the 1980s and 90s, she studied with Irene Sharp, attended the San Francisco Conservatory Preparatory Division, and was a member of the California Youth Symphony and the Palo Alto Chamber Orchestra. Today in California she is a member of the Cabrillo Festival orchestra and has performed as a substitute with the New Century Chamber Orchestra, the Santa Rosa Symphony, and the Monterey Symphony. In Spain, she has been a principal cellist of the Orquesta Ciudad de Granada since 2007, and recently completed a year contract as principal cellist with the Orquesta Sinfónica de Tenerife. A founding member of Ensemble NeoArs Sonora since 2008, Kathleen has a passion for performing and premiering contemporary music. In 2020, ten works for solo cello were dedicated to her as part of a women composer project. She has performed those works in various venues around Spain and also in California. Kathleen teaches cello students in her private studio and has given classes through the International Festival and Academy in Tenerife, the Andalusian Youth Orchestra, the Tenerife Symphony Academy, the Granada Orchestra Academy, and the New World Symphony outreach program. During the pandemic, Kathleen served on the preliminary panel of judges for the section solo competition and greatly enjoyed the experience. In 2021 she volunteered again, and in July 2021 was designated the new chairperson of the competition. Kathleen helped to digitalize the solo competition through the platform Acceptd in 2022 and organized a live final round for the first time in two years. In August 2022, she was asked to be an interim president, and she agreed to hold the position until elections could be held.
ensembles. She has concertized throughout the Bay Area and over-seas .
Violinist Dr. James Greening-Valenzuela has excelled as a musician, teacher, scholar, and arts organizer. He was Founder and Artistic Director of California
Music Festival, which ran from 2000 to 2008, the Program Director of the New York Academy of Music, adjunct faculty member of Queens College, Brooklyn College and Boise State University and Founder and President of Vocal Artists Management Services.
Dr. Greening-Valenzuela maintains a private studio in Walnut Creek and is sought after as a master teacher, lecturer and competition adjudicator.
Cellist Wendy Reynolds has degrees from UC Berkeley, Cal State East Bay and Golden Gate University. As an adult, she studied and participated in workshops for many years with Milly Rosner in Berkeley. She is currently principal cellist with the Contra Costa Chamber Orchestra in Walnut Creek. Wendy enjoys playing chamber music and is a member of several performing groups. By day she masquerades as a CPA, specializing in international tax, with a firm in San Francisco.
Stephanie Chiao is a professional cellist and music educator. Currently, she is the Assistant Principal Cellist in the Stockton Symphony and a music educator in Santa Clara County. As a dedicated music educator, she was the past president of the ASTA (American String Teachers Association) Stockton Teacher’s chapter. She is also adjudicator for California Orchestra Director’s Association and an active member of California Music Educators Association Bay Area Section. She not only contributes to professional learning communities but also is part of many, including the MERIT (Making Education Relevant In Technology) program at the Krause Center of Innovation. Her ultimate goal is to inspire joy, beauty, expression, creativity through music and to build the community through our shared experiences of music.
Violinist JAMES GREENING-VALENZUELA has performed as a soloist with orchestra, recitalist and chamber musician throughout the United States, Europe and Latin America. Dr. Greening-Valenzuela has been featured on seven solo CDs, produced by Musical America, Locrian Recordings and as an artist on the Con Brio Recordings label: his recording of the Bach Sonatas for Solo Violin earned a submission for a Grammy Award nomination. He attended the San Francisco and St. Louis Conservatories of Music, as well as the City University of New York. Teachers include Henryk Szeryng, Joseph Silverstein, Zaven Melikian, John Korman, Daniel Phillips, Masao Kawasaki, and Doris Brill. Honored by theviolinsite.com as one of today's most influential violin soloists, he served as Program Director of New York Academy of Music and adjunct faculty member of Queens College, Brooklyn College and Boise State University. Dr. Greening-Valenzuela maintains a private studio in Walnut Creek and is sought after as a master teacher, lecturer and competition adjudicator. In addition, he is Founder and President of Vocal Artists Management Services, (VAMS) which tends to the careers of internationally acclaimed opera and concert singers.
Violinist Merav Singer has pursued music performance and academics, with an M.M. from Cincinnati Conservatory and a Ph.D. in Ethnomusicology from UC Berkeley. She has performed in orchestras, folk music bands, her own quartet, and as a strolling violinist. She is also a lecturer at UC Berkeley, where she has taught musicianship and academic writing. Merav has a private violin studio in Walnut Creek.
Cybèle D’Ambrosio, a violin student of Anne Crowden, David Dalton and David Abel, taught her first violin lesson when she was 15 years old. It was safer than gymnastics and paid better than babysitting so she kept at it. Spreading her wings early she supported herself for two years as a French Quarter street musician in New Orleans. She later obtained Bachelors and Masters degrees in Music Performance from Brigham Young University (Provo, Ut) and Mills College (Oakland, Ca). In addition to an active performing career, Cybèle maintains a private teaching studio in Berkeley, California and is currently working towards her dreams of publishing children’s books and composing film scores. She has served on the board of CalASTA San Francisco since 2012 in a variety of roles including President, ASTACAP Coordinator and Solo Competition Chair.
From kinesthetic music education to teaching for diverse learning needs, Jennifer R. Ellis (B.M. Oberlin, M.M. CIM, D.M.A. University of Michigan) is dedicated to innovative music pedagogy. She is a professor at the San Francisco Conservatory of Music in both their collegiate and precollege programs where she teaches harp, pedagogy and community engagement. She has also served as the harp instructor at Mills College, Holy Names University PMD, and Harps Etc. She is the founding director of the SFCM Summer Harp Camp and has served as guest harp instructor at other summer programs including MPULSE and Nief Norf. Awarded an inaugural University of Michigan Engaged Pedagogy Fellowship, her pedagogy training includes earning a UM CRLT Graduate Teacher Certificate as well as training in eurhythmics pedagogy at CIM. She is an in-demand clinician; she was a featured teacher at the 2017 International Harp Festival and has presented masterclasses across the country at institutions including Interlochen, Boston University, and University of Arizona. Her students have won national awards including the AHS Young Composers Project and Prodigy International Music Competition. In her performing life, she thoroughly enjoys using her instrument in new and unexpected ways, premiering over 100 works and serving as the first harpist to be a U.S. State Department One Beat Fellow. She is in her second term of serving on the American Harp Society national board and has served on the CalASTA San Francisco Section board since 2016.
SPONSORS